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ABOUT THE STORE : NEWSLETTER
DISPATCHES FROM THE BORDER
Events and News from Borderlands Books
March, 2014
Chapter One - Event Information, News, and Special Features
Editor's Note - You may be aware that we have a blog where this newsletter also appears <http://borderlands-books.blogspot.com/>.
At the end of major features in this newsletter you'll find permanent
links to the same item on our blog. These links can be convenient
if you want to send just a single article or if you'd like to link to it
from your website.
Upcoming Author Events
Brandon Sanderson, WORDS OF RADIANCE (Tor, Hardcover, $27.99) Thursday, March 6th at 6:00 pm
Marie Brennan, TROPIC OF SERPENTS: A MEMOIR BY LADY TRENT (Tor, Hardcover, $25.99) Sunday, March 9th at 7:00 pm
Seanan McGuire, HALF OFF RAGNAROK (DAW, Mass Market, $7.99) Saturday, March 15th at 6:00 pm
Edith Maxwell, A TINE TO LIVE, A TINE TO DIE (Kensington, Hardcover, $24.00) Sunday, March 16th at 1:00 pm
Bruce DeSilva, PROVIDENCE RAG (Forge, Hardcover, $25.99) Sunday, March 16th at 3:00 pm
Nick Mamatas, Jim Nisbet, Sin Soracco, and Ken Wishnia: PM Press Crime
Writers' Short-Fire Reading and Signing, Wednesday, March 19th at 7:00
pm
Dan Wells, RUINS (Balzer + Bray, Hardcover, $17.99) and Robison Wells,
BLACKOUT (HarperTeen, Hardcover, $17.99), Friday, March 21st at 7:00 pm
Eileen Gunn, QUESTIONABLE PRACTICES (Small Beer Press, Trade Paperback, $16.00) Saturday, April 12th at 3:00 pm
Permalink - http://borderlands-books.blogspot.com/2014/03/march-upcoming-events.html
News
* The New York Times comments on the recent trend of series books
being released more quickly in order to satisfy "binge readers": http://www.nytimes.com/2014/02/11/books/impatience-has-its-reward-books-are-rolled-out-faster.html?_r=1
* Fans of Pat Murphy's THE CITY, NOT LONG AFTER or Michaela Roessner's
VANISHING POINT will especially appreciate these eerie photos of an
empty San Francisco: http://www.thebolditalic.com/articles/4465-heres-what-sf-would-look-like-without-cars-or-people
* Neil Gaiman and Australia's Four Play String Quartet are coming to The Warfield June 25th. Tickets are $40. http://blog.sfgate.com/bookmarks/2014/02/18/neil-gaiman-and-string-quartet-coming-to-s-f/
* Wonderful, creepy old photos out of context; especially for fans of Ransom Riggs, but haunting for everyone! http://theghostdiaries.com/old-mysterious-photos-that-will-haunt-your-dreams/
Permalink - http://borderlands-books.blogspot.com/2014/03/february-news-roundup.html
From The Office
(Editor's note: since Alan is still busy doing construction -- if you've
been in the store during the last month, you've probably heard the
power tools -- I've asked some other staffers to contribute From
the Office pieces for the next few months. Don't worry; all the
rest of us are just as opinionated as Alan, and he'll be back with his
own special brand of analysis in a few months. But meanwhile,
enjoy a second guest piece from Jeremy Lassen, Borderlands' first (and
longest continuous) employee. (Please note that while Borderlands
is probably the only bookstore in the world with its own SWAT team, and
that Alan and I will personally back any of our employees in a street
fight, their opinions are their own and don't necessarily represent the
store. - Jude Feldman)
The Authors Who Put the “P” in “SF”
We had so much fun last time, I figured I would give it another
go. And since saying “Fuck Nick Hornsby” didn’t generate enough
ire, I thought I would violate one of the first rules of polite society
and talk politics. Wait, wait, wait. . . . Not in the way that you
think. I’m not going to bore you with MY political views, or
observations about various political theories and paradigms. I’m
going to bore you with observations about political thought as expressed
in science fiction novels.
I’m not talking about the political views of the authors, although of
course that may come up. But if the author is genuinely
interesting, what you think of as “their politics” may in fact not
be. Let’s start with good old Bob Heinlein as an example.
It’s really easy to base your perspective of an author’s personal
politics on that first novel of theirs that you read. If you read
STARSHIP TROOPERS, clearly Heinlein was a fascist. If you read
STRANGER IN A STRANGE LAND, well, he was a Leftist Cult-Hippie. If
you read THE MAN WHO SOLD THE MOON, you would think he was a
libertarian, and if you read THE MOON IS A HARSH MISTRESS, you could be
pretty sure he was a bomb-throwing anarchist and revolutionary.
The truth about Heinlein’s politics is probably slightly more
complicated than “He’s X.” (Go ahead and read the recent
biography, ROBERT A. HEINLEIN IN DIALOGUE WITH HIS CENTURY: THE
AUTHORIZED BIOGRAPHY by William H. Patterson, Jr. if you want to get a
detailed, nuanced view of the man.) What the above spread of
novels really demonstrates is Heinlein’s willingness to take a political
idea or conceit and run with it, creating a whole narrative around its
bones. He wasn’t the only one doing this of course.
"Astounding" editor John W. Campbell famously would provide his “top
producers” with a seed of an idea, telling them to “write me a story
based on X.” If you look really closely science fiction’s Golden
Age fix-up novels, you can see the parallel novels that Heinlein, Clark,
Asimov, and others wrote at Campbell’s behest, exploring the seed of an
idea in very different ways.
The opposite of Heinlein is the author who mines one political idea or
conceit repeatedly. And I don’t mean that as an author being
repetitive or simplistic. I mean he or she dreams up a detailed
political structure, and then runs it through the grinder a few dozen
times, exploring it, and its relationship to other systems in exquisite
detail. The author who stands out in this regard is the recently
deceased Iain M. Banks. His series of Culture books share a single
“post scarcity utopia” setting ruled by benevolent AI's. Banks is
probably the most prolific utopianist of the late 20th century, in that
he was constantly picking at the edges of his detailed utopia, seeing
were and how it breaks down and why, or what morality is or should be,
in different contexts.
He was very much concerned with ideas of free will, and the conflict
between that, and state power. He was interested in the lies
individuals and states tell themselves about the use of power and
violence, both on an individual level (USE OF WEAPONS) and on a broader
cultural level (PLAYER OF GAMES). Where does “white man’s burden”
begin, if you are a culture of all-knowing, all-seeing AI’s, and when
does the carefully crafted “non-intervention” rule (ala "Star Trek"’s
Prime Directive) get violated and thrown out the window? It helps
that despite all the teeth-gnashing and gaming of political theory and
power, at his core, Banks is a really fun, and funny writer. So
when things get too grim or serious, there’s always a wise-cracking
spaceship to lighten things up.
The polar opposite of Banks may be Neal Asher. If you ever want to
see how an author’s individual politics inform their fictional
exercises in world building, one should compare the post scarcity
utopias of Banks with the post scarcity utopias of Asher’s Polity
series. They are both ruled by benevolent AI's. But the questions
they pose, and what is defined in opposition to this setting couldn’t be
more different. The misguided revolutionary often serves as the
plot point or fulcrum that tips the narrative in a Polity book.
And much like Banks, Asher has a secret weapon that prevents his
narratives from bogging down in polemic. Asher has an
incredible sense of pacing, and does really incredible action set
pieces. You may sometimes catch glimpses of the author’s true political
views while reading his books, but shit is blowing up so spectacularly,
you usually don’t have time to notice.
Speaking of Asher, and forms. . . . His recent Owner series puts the
metaphorical shoe on the other foot. It's dystopic in nature
instead of utopian, and focus on revolution and overthrowing an
established order. This revolutionary narrative is a classic one in
science fiction -- THE MOON IS A HARSH MISTRESS was mentioned above, and
Roger Zelazny’s LORD OF LIGHT is another early work that comes to
mind. Some of the questioning of power and methods that were so
prevalent in Banks' Culture series probably had some roots in Zelazny’s
novel.
Sometimes, these revolutionary narratives can span multiple volumes, as
is the case with Pierce Brown’s recent debut, RED RISING. Piers
Anthony repeatedly played around with revolutionary narratives, from his
early Cthon novels, to Phaze series, to his Bio of A Space Tyrant
series. (Incidentally, and as a warning, I think it’s easy to say
that Anthony’s work is sometimes weirdly focused on issues of forced
servitude, and nudity, amongst other things. I mean, he was no
John Norman, but holy crap -- my shorthand name for the Space Tyrant
series is “Bio of a Rape Tyrant” -- EVERYBODY is raped in the first book
of that series.)
Some might consider Zelazny’s Amber series or Herbert’s DUNE to be
revolutionary narratives, but those tend more towards changing the
protagonists' place in the established political order, rather than
overthrowing it altogether. I think the thing that is most
interesting about these revolutionary narratives is how they have
evolved as part of the long science fiction conversation. While
early revolutionary narratives are often simple dystopian settings with
revolutionary heroes, later works examine the problems associated with
revolutionary movements and leaders.
Richard Morgan comes to mind with his third Takashi Kovacs novel, WOKEN
FURIES. I think the gangster/surfer/revolutionaries in that novel
are some of the most iconic in science fiction, and the type of
ambivalent exploration of their charisma and violence in pursuit of
political goals is positively Banksian in its nuance and
thoughtfulness. Morgan had earlier covered similar territory with
his novel MARKET FORCES, which followed the dystopian
setting/revolutionary hero narrative, but ultimately turned it on its
head. The alternatives to the hyper-capitalism of MARKET FORCES
were presented as ineffectual, and the idea of charismatic revolutionary
leaders was undermined in a stunning narrative turn.
Another contemporary SF author who has exploded the charismatic
revolutionary leader motif is China Miéville. His Bas Lag novels
THE SCAR and IRON COUNCIL are different but equally powerful
examinations of revolutionary movements. China's work is
interesting for a couple of reasons. First, he’s using a fantasy
motif. Admittedly Banks and Zelazny ostensibly used fantasy motifs
in science fictional settings, so this doesn’t place Miéville's work
too far outside of the discussion.
The other thing that stands out with China is that he's oftentimes
referred to as a POLITICAL author, and explicitly a leftist author.
Which is ultimately kind of funny, as his fiction isn’t any more overtly
political than that of either his contemporaries, or his
antecedents. There been far bigger leftists in the genre (Eric
Flint, Steven Brust and Will Shetterly immediately spring to mind,
although obviously there are others), and many conservative authors'
political or economic views are presented in significantly more overt
terms. I think China is a victim of both timing and a really good
marketing campaign by his publishers -- much was made of his nascent
political aspirations as a Communist Party candidate for Parliament by
his publishers, and this was during the rule of two extremely
conservative governments in the US and UK, when leftists were being
overtly marginalized in the political discourse. If you didn’t
like the Bush Regime, or the Blair administration, China Miéville was
your science fiction guy, so to speak.
Another author who has used fantasy motifs to explore political systems
and ideology in a really interesting way is Peter Higgins. His fantasy
police procedural WOLFHOUND CENTURY is a stunning debut. What sets his
world building apart is that instead of using a traditional feudalistic
fantasy setting, he sets up a Stalanistic-style authoritarian
regime. I’ve seen some sources mistakenly characterize this as
alternate history, which it explicitly is not. It’s fantasy, with a
social and political system that you’ve never seen in fantasy pages
before. I’m eagerly looking forward to the 2nd book in this
series, TRUTH AND FEAR.
Oddly enough, Glen Cook has also written some really great revolutionary
narratives, using fantasy and SF-inal setups. That’s right.
The Garrett Files and Black Company guy has some serious revolution
going on. Actually, his Darkwar Trilogy is an incredibly
interesting explosion of the genre. It’s a science fiction novel
with a fantasy motif, and it tells the story from the point of view of
(SPOILER ALERT) the evil dictator. About halfway through the
second book, one begins to suspect that our protagonist isn’t the hero
who will release her people from bondage. . . she’s actually the dark
overlord that needs to be overthrown. I think this early Cook
trilogy stands as one of his most fascinating and nuanced
narratives. Plus, it's about a matriarchal society of
anthropomorphic dog people who fly through space in psionically powered
wooden space ships. I mean, seriously, go back and read that
sentence again. I’m not kidding. And it works. Really,
really well. The Darkwar Trilogy. Oh, so good.
Cook's other fantasy/revolutionary work is the two-book Dread Empire
prequel, collected in A FORTRESS IN SHADOW. This follows the rise
of a theocratic revolutionary movement in a desert setting, amongst a
group of feudal nomadic tribes. It also plays around with the idea
of charismatic leaders, and, specifically, religious
fundamentalism. This one is quite amazing as well.
Finally, I want to touch one of science fiction’s greatest political
movements. The feminist science fiction novels of the 60’s, 70's, and
80's are one of the genre’s very important contributions to society and
literature. Like other forms of popular entertainment, and
entertainment for “kids”, SF was allowed to explore issues and take up
agendas that were incredibly socially divisive. Polite society
often didn’t talk about these things, or only talked about them in very
circumspect terms. And at a time when really overt and detailed
examinations of the patriarchy and gender relationships were completely
marginalized, the science fiction genre was putting them in front of
12-year-old girls and boys alike. It’s easy to under-appreciate
how subversive these novels were, and to fail to recognize what a big
part of the science fiction genre they were. They were mainstream,
and sitting on the newsstand racks, and being printed in 100,000+ copy
print runs. They were not marginalized or off in a ghetto. They
were at the center of science fiction.
I was recently in an online discussion with a woman who felt that the
written science fiction genre was just a boy's club, and that Gene
Rodenberry and his feminist-influenced utopian "Star Trek" series didn’t
really come out of that written science fiction tradition. I was
gobsmacked by this. Perhaps this perception is reflective of a
regression that took place in science fiction, and society at
large. Feminism was turned into a dirty word and SF’s feminism was
glossed over or ignored, and the genre did become a bit of a boy's club
in the 80's and afterwards. Because of this, its easy to see why
SF fans of a certain age might think that SF is “just a boy's club.”
I will probably go on at length in some future forum, but let me throw
out some names. Some of the earliest pioneers include writers like
Leigh Brackett, Judith Merril, and Kit Reed. Ursula K. Le Guin is
a recognized giant; others like Pamela Sargent and James Tiptree,
Jr. came out of that New Wave era of feminist SF, and writers like
Sheri S. Tepper and Octavia Butler continued on with the tradition
through the 80’s. Marion Zimmer Bradely’s Darkover fiction, as well as
her more broadly known Mists of Avalon series also stand out as works
that are explicitly part of the feminist tradition. And currently
there is a whole new generation of writers who are embracing and
exploring this science fiction tradition.
Science fiction has never followed the dictum that one doesn’t talk
about politics. It’s almost always been about politics, one way or the
other. And our oft-divided, (does anyone remember the great WorldCon
schism over the Vietnam War? That makes today’s Twitter fights look like
schoolyard bickering by comparison) big-tent community of readers and
writers will always be looking at political ideas -- they way they were,
the way they are, the way they can be, and the way they should be.
That’s one of the strengths of the genre.
-Jeremy Lassen
Permalink - http://borderlands-books.blogspot.com/2014/03/the-authors-who-put-p-in-sf.html
Top Sellers At Borderlands
Hardcovers
1. The Waking Engine by David Edison
2. Red Rising by Pierce Brown
3. Pandemic by Scott Sigler
4. The Martian by Andy Weir
5. A Darkling Sea by James Cambias
6. What Makes This Book So Great by Jo Walton
7. Dreamwalker by C.S. Friedman
8. V-S Day by Allen Steele
9. Seven Wild Sisters by Charles de Lint
10. Neptune's Brood by Charles Stross
Mass Market Paperbacks
1. Broken Homes by Ben Aaronovitch
2. The Name of the Wind by Patrick Rothfuss
3. The Long War by Stephen Baxter and Terry Pratchett
4. The Lies of Locke Lamora by Scott Lynch
5. Red Seas Under Red Skies by Scott Lynch
6. Who Fears Death? by Nnedi Okorafor
7. Frost Burned by Patricia Briggs
8. A Dance With Dragons by George R.R. Martin
9. Great North Road by Peter F. Hamilton
10. Wise Man's Fear by Patrick Rothfuss
Trade Paperbacks
1. Annihilation by Jeff Vadermeer
2. Hyperbolye and a Half by Allie Brosh
3. Miss Peregrin'e Home for Peculiar Children by Ransom Riggs
4. Natural History of Dragons by Marie Brennan
5. Indexing by Seanan McGuire
Permalink - http://borderlands-books.blogspot.com/2014/03/february-bestsellers.html
Book Club Info
The QSF&F Book Club will meet on Sunday, March 9th at 5 pm to
discuss EMBASSYTOWN by China Mieville. Please contact the group
leader, Christopher Rodriguez, at cobalt555@earthlink.net, for more
information.
The Science Fiction and Fantasy Book Club will meet on Sunday, March
16th at 6 pm to discuss AMONG OTHERS by Jo Walton. The book for
April is THE GODS THEMSELVES by Isaac Asimov. Please contact
bookclub@borderlands-books.com for more information.
Upcoming Event Details
Brandon Sanderson, WORDS OF RADIANCE (Tor, Hardcover, $27.99) Thursday,
March 6th at 6:00 pm - Join us to meet one of our very favorite fantasy
writers, the incredibly talented Brandon Sanderson! Having done
the seemingly impossible and completed Robert Jordan's near-legendary
Wheel of Time series, Brandon's now hard at work on his own massive
epic, The Stormlight Archive. WORDS OF RADIANCE is volume 2, the
followup to WAY OF KINGS, and in it the story grows even more complex
and compelling. Don't miss this event! (Please note, this event
begins at 6pm, an hour earlier than usual.)
Marie Brennan, TROPIC OF SERPENTS: A MEMOIR BY LADY TRENT (Tor,
Hardcover, $25.99) Sunday, March 9th at 7:00 pm - Don't miss this
opportunity to meet Marie Brennan and enjoy the continuing adventures of
the remarkable Victorian naturalist Lady Trent! From the book
description: "Attentive readers of Lady Trent’s earlier memoir, A
NATURAL HISTORY OF DRAGONS, are already familiar with how a bookish and
determined young woman named Isabella first set out on the historic
course that would one day lead her to becoming the world’s premier
dragon naturalist. Now, in this remarkably candid second volume,
Lady Trent looks back at the next stage of her illustrious (and
occasionally scandalous) career."
Seanan McGuire, HALF OFF RAGNAROK (DAW, Mass Market, $7.99) Saturday,
March 15th at 6:00 pm - Seanan McGuire's events are always a wild party,
and you're invited! We're happy to host the super-prolific author
as she presents the newest InCryptid novel. This one's narrated
by Verity's brother Alex, and includes a whole host of new characters
and also some old friends. "When Alex Price agreed to go to Ohio to
oversee a basilisk breeding program and assist in the recovery of his
psychic cousin, he didn't expect people to start dropping dead. But
bodies are cropping up at the zoo where he works, and his
girlfriend--Shelby Tanner, an Australian zoologist with a fondness for
big cats--is starting to get suspicious. Worse yet, the bodies
have all been turned partially to stone . . . . The third book in the
InCryptid series takes us to a new location and a new member of the
family, as Alex tries to balance life, work, and the strong desire not
to become a piece of garden statuary. Old friends and new are on the
scene, and danger lurks around every corner. Of course, so do the
talking mice."
Edith Maxwell, A TINE TO LIVE, A TINE TO DIE (Kensington, Hardcover,
$24.00) Sunday, March 16th at 1:00 pm - We're delighted to welcome Edith
Maxwell to the store! This is a new cozy series to die for: "It's
harvest time in Westbury, Massachusetts, and novice farmer Cameron
Flaherty hopes to make a killing selling organic produce. A colorful
Locavore Club belongs to Cam's farm-share program. But when a killer
strikes on her property, her first foray into the world of organic
farming yields a bumper crop of locally sourced murder. To clear
her name, Cam has to dig up secrets buried deep beneath the soil of
Produce Plus Farm. And when the police don't make progress in the case,
she has to catch a murderer whose motto seems to be, 'Eat Local. Kill
Local.'"
Bruce DeSilva, PROVIDENCE RAG (Forge, Hardcover, $25.99) Sunday, March
16th at 3:00 pm - We're eagerly anticipating meeting Bruce DeSilva, a
rising talent whose new novel asks a very difficult ethical question. . .
"Inspired by a true story, PROVIDENCE RAG finds Mulligan, his pal
Mason, and the newspaper they both work for at an ethical crossroad. The
youngest serial killer in history butchered five of his neighbors
before he was old enough to drive. When he was caught eighteen years
ago, Rhode Island's antiquated criminal statutes --never intended for
someone like him -- required that all juveniles, no matter their crimes,
be released at age twenty-one. The killer is still behind bars, serving
time for crimes supposedly committed on the inside. That these charges
were fabricated is an open secret; but nearly everyone is fine with it
-- if the monster ever gets out more people will surely die. But Mason
is not fine with it. If officials can get away with framing this killer
they could do it to anybody. As Mason sets out to prove officials are
perverting the justice system, Mulligan searches frantically for
some legal way to keep the monster behind bars. The dueling
investigations pit the friends against each other in a high-stakes race
against time -- and snares them in an ethical dilemma that has no right
answer."
Nick Mamatas, Jim Nisbet, Sin Soracco, and Ken Wishnia: PM Press Crime
Writers' Short-Fire Reading and Signing, Wednesday, March 19th at 7:00
pm - We love stimulating, subversive, and local PM Press! PM tends
toward the outstanding, radical, activist, and experimental (Terry
Bisson edits their Outspoken Authors Series) and their crime fiction is
no different. We're happy to welcome a bunch of PM's crime writers
for an evening of rapid-fire reading and signing. We know you'll
want to meet Nick, Jim, Sin, and Ken! RSVP on the Facebook events
page if you like: https://www.facebook.com/events/498491736940077/
Dan Wells, RUINS (Balzer + Bray, Hardcover, $17.99) and Robison Wells,
BLACKOUT (HarperTeen, Hardcover, $17.99), Friday, March 21st at 7:00 pm -
We're excited to welcome the Wells brothers to Borderlands! Dan's
newest book is RUINS, the followup to FRAGMENTS, and the end of the
Partials Sequence. "Kira, Samm, and Marcus fight to prevent a final war
between Partials and humans in the gripping final installment in the
Partials Sequence, a series that combines the thrilling action of THE
HUNGER GAMES with the provocative themes of BLADE RUNNER and THE STAND."
Joining Dan this time around is Robison Wells, whose new book is
BLACKOUT. From the book description: "Laura and Alec are highly
trained teenage terrorists. Jack and Aubrey are small-town high school
students. There was no reason for their paths to ever cross. But
now a mysterious virus is spreading throughout America, infecting
teenagers with impossible superpowers -- and all teens are being rounded
up, dragged to government testing facilities, and drafted into the army
to fight terrorism. Suddenly, Jack, Laura, Aubrey, and Alec find
their lives intertwined in a complex web of deception, loyalty, and
catastrophic danger -- where one wrong choice could trigger an explosion
that ends it all."
Eileen Gunn, QUESTIONABLE PRACTICES (Small Beer Press, Trade Paperback,
$16.00) Saturday, April 12th at 3:00 pm - We are always thrilled to
welcome the talented Eileen Gunn to the store! QUESTIONABLE
PRACTICES is her new short story collection. From the book
description: "Good intentions aren’t everything. Sometimes things
don’t quite go the way you planned. And sometimes you don’t plan. . . .
This collection of sixteen stories (and one lonely poem) wittily chart
the ways trouble can ensue. No actual human beings were harmed in
the creation of this book. Stories from Eileen Gunn are always a
cause for celebration. Where will she lead us? “Up the Fire Road” to a
slightly alternate world. Four stories into steampunk’s heart.
Into the golem’s heart. Yet never where we might expect."
Borderlands event policy - all events are free of charge unless
otherwise stated. You are welcome to bring copies of an author's
books purchased elsewhere to be autographed (but we do appreciate it if
you purchase something while at the event). For most events you
are welcome to bring as many books as you wish for autographs. If
you are unable to attend the event we will be happy to have a copy of
any of the author's available books signed or inscribed for you.
We can then either hold the book(s) until you can come in to pick them
up or we can ship to you. Just give us a call or drop us an
email. If you live out of town, you can also ship us books from
your collection to be signed for a nominal fee. Call or email for
details.
Dispatches from the Border
Editor - Jude Feldman
Assistant Editor - Alan Beatts
All contents unless otherwise noted are the property of
Borderlands Books
866 Valencia St.
San Francisco, CA 94110
415-824-8203
http://www.borderlands-books.com
Comments and suggestions should be directed to editor@borderlands-books.com
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